Star child evolution in 2001 :: essays research papers

The Evolution of the Star-ChildFilm both reflects and creates social culture. Indeed, a film indicates social trends, presents ideas, and analyzes history for its contemporary time geological period thus, by viewing a film it becomes possible to infer and make judgments about a societys culture. The filmmakers message is embedded within the plot and symbolism, and filmmakers often reexamine social culture through their movies. It is possible to view the phylogeny of culture through the progression of films over time.Religious films in the pre-1968 era distinguish themselves as literal interpretations of the Old and New Testaments. America, in this era, held religion as central to everyday life. DeMilles King of Kings and similar movies that follow in form support this inference. intend the context of DeMilles 1932 movies, Sign of the Cross. Depression and the great dustbowl were commonplace across America. The masses embraced religion and this is evident in the literal bible sto ry films. Additionally, the righteous great deal in the films represented the working class people of America, and the blasphemers represented the elite minority. They were usually powerful, corrupt, and sometimes Jewish. American culture has create by mental actd as technology has advanced. In 1968, the epitome of religion in film shifted with the release of Kubricks 2001 A Space Odyssey. Rebellion, social activism, drugs, sex and most importantly, technology, dominated social culture. Kubricks film challenges all previous religious film movies, yet this epic movie contains powerful symbols that reflect the changes in social thought. Thus far, evolution of movies and culture has been discussed. 2001 A Space Odyssey is interesting because Kubrick realizes this design of cultural evolution. Thus, he created his movie to embody this concept and manifest itself in man as a physical being. The underlying theme of Kubricks movie is evolution the progression of monkeys to humans, human s to machines (HAL), machines to the star-child. That 2001 concedes to evolution validates science and technology, while it detracts from religion. Thus, this slow paced film indicates the inevitable evolution of all things. The star-child, spurred by the monolith, represents the destiny of humans as they evolve with technology.The monkeys loose their innocence and become corrupted when the monolith presents itself. This is because the monolith prompts the monkeys to explore ways in which odds and ends in nature may be utilized in separate words, the monkeys develop tools. The monolith is not a deity in the sense that it is a physical creator.